Interior

Table Of Content

• President Biden forgets date of Jan. 6 Capitol riots at glitzy fundraiser hosted by Michael Douglas
• Convent for Sisters of St. Joseph
• Hilarious video shows highway graffiti artists ditch buddy when police pull up
• Stimson House
• Pasadena Showcase House of Design 2024: Step Inside the English Tudor Revival Manse

It took nine months before Michael McCarthy and Marcia Myers fully realized what they’d actually purchased in Harbor Springs, Michigan. “We saw this white house listed on the Internet with a lot of glass looking out at the lake,” says Myers, who, along with her husband, had searched for years for a waterfront property. They scouted lake houses and talked about beachfront property in New Jersey and Delaware. “The price kept going down when prices everywhere else were going up.” So they traveled to Lake Michigan to see it in person.

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Smith Douglas Homes Stock’s (SDHC) Strong Debut Gives Boost to IPO Market.

Posted: Thu, 11 Jan 2024 08:00:00 GMT [source]

President Biden forgets date of Jan. 6 Capitol riots at glitzy fundraiser hosted by Michael Douglas

Maria Videla-Juniel, who designed the primary bathroom of the main house, also devised a welcoming entry to the Gate House. A Thibault wall covering graces the entry, and a Fibreworks runner leads guests up the stairs. Located at 1143 Summit Drive in San Ysidro Canyon in Beverly Hills, the property was a hunting lodge[5] when purchased by Fairbanks in 1919 for his bride-to-be, Mary Pickford. In the 1920s, the newlyweds extensively renovated the lodge, transforming it into a four-story, 25-room[4] mansion complete with stables, servants quarters, tennis courts, a large guest wing, and garages. The Workman House and La Casa Nueva are, architecturally and in terms of the history of their owners, distinctive dwellings, and the Homestead’s collection includes artifacts about other homes that reflect unusual architectural styles and interesting histories.

Convent for Sisters of St. Joseph

They also installed a grass cloth ceiling treatment and sisal rug to add texture. “I’m all about gardens connecting the architecture into the landscape,” landscape architect Timothy John Palcic tells AD PRO. He used a limited palette of chartreuse and dark hues that nod to the brick exterior and arranged benches to create intimate seating areas within the larger English-garden-inspired space.

Hilarious video shows highway graffiti artists ditch buddy when police pull up

Meier's work enabled the house to extend with the natural horizontals of the shoreline, the lake's surface, and the horizon while following the pattern of the trees with vertical mullions, creating generous spacious continuity from interior to exterior. Meier furnished the home with furniture designed by Le Corbusier, Mies van der Rohe, and himself, and when completed it needed no ornamentation other than the nature it was designed around. Meier's work enabled the house to extend with the natural horizontals of the shoreline, the lake's surface, and the horizon while following the pattern of the trees with vertical mullions, creating generous spacious continuity from interior to exterior. Hand-painted floors were the jumping-off point for designer Amy Peltier’s soothing primary bedroom design. “It was so much work, but it turned out beautiful.” The firm wanted the space to feel “light and airy and breezy,” and incorporated fabrics and wall coverings by Thibaut in a soft color palette. Peltier and designer Marina Kelly installed an arch to divide the bedroom from the sitting area, breaking up the large space.

The house had been renovated once before, in 1988, but it was structurally sound. Looking for yet more information before they bought the house, McCarthy decided to contact the three previous owners. Maria Videla-Juniel turned the primary bath into a sumptuous retreat with hues of soft blue and brown. Thibaut wall coverings and fabrics were used for the walls and windows, and the elegant shagreen-covered vanities are accented with gleaming fixtures by P.E. Videla-Juniel and project manager Cheryl Hardy also installed a striking shower clad in herringbone stone tile.

It is now on the city’s list of cultural landmarks, as well as on the National Register of Historic Places. President Joe Biden suffered yet another gaffe Thursday as he mixed up the date of the Jan. 6 riots during a glitzy fundraiser hosted by Hollywood stars Michael Douglas and Catherine Zeta-Jones at their Westchester home. Native California wildflowers accent the Arroyo Vista Garden, which was designed with fire safety in mind.

He invested in the city's Citizens Bank and became a vice-president of the its Chamber of Commerce. If the couple had questions, they’d call Trudeau, who’d get answers from Meier. The team removed the original steel awning windows, sandblasted and powder-coated each one, then reinstalled them with thermal glass and hardware from the original supplier. They replaced and painted the redwood siding its original “Meier White,” then added a steel backbone to the bridge.

“We wanted to concentrate on polished nickels and polished chromes to get that silver feel back in,” he says of the fixtures, hardware, and lighting by Kohler and Kallista. Hermogeno and designer Lynette Chin brought in a mix of vintage and new furnishings in the family room, incorporating performance fabrics for durability. “[We made] sure that it was a really usable room, that it didn’t just look nice,” Hermogeno says. For a bedroom off the nursery, Carmine Sabatella wanted to create a jewel-toned escape. “I thought, if somebody’s taking care of the baby, they have a space where they can come and feel like it’s a retreat,” Sabatella says. The designer outfitted a door handcrafted in India with a vintage mirror to create a one of a kind headboard and bathed the space in deep emerald green.

As is typical of Meier buildings, the house is completely white made with reinforced concrete and glass except for two steel pipes that extend from the chimney up to the roof, framing views at the entry level. The white of the house allows it to stick out as a man-made object on the landscape during the changing colors of the seasons, which can be experienced inside through the large glass panels. These natural surroundings were also taken into consideration during the construction of the house where as few trees were removed as possible in order to leave the landscape in its most natural state while forcing the house to integrate with it. The "public" zone of the house, including the living room and dining room, faces Lake Michigan and gives the impression of a completely different place when compared to the deceiving one-story entry space. The living room is open to the surrounding landscape with three large floor-to-ceiling windows, which was heavily used on the western side of the house to take advantage of the view. It also receives sunlight through a skylight that further separates the public and private zones.

A palette of whites, deep blues, and gold creates an elegant atmosphere in the formal living room, which was designed by Rachel Duarte. The designer established two seating areas within the space, including a cozy gathering spot with chaise longues that flank the original carved marble fireplace. The room’s coffered ceilings were enhanced with a faux-wood decorative painting by Jhon Ardilla. The designers worked with a color palette of Dunn-Edwards paints, and several chose to highlight the brand’s 2024 Color of the Year, a steely blue called Skipping Stones.

The architect suggested that if they intended to modify the building they might consider hiring his firm. Samatha Williams’s Tearoom in the Gatehouse is brimming with vintage charm and elegant accents. Working with Jacqueline Black and Michelle Porreca, Williams brought in a Chinoiserie wall covering to give the space a garden-like atmosphere.

As for Stimson’s legacy, it remains not just with the house, but the fact that the Stimson Lumber Company is still in operation. For more information on the residence, here is an interesting and informative blog post. Having lumber mills and yards in Big Rapids, Muskegon and Chicago, Stimson recognized, by the early 1880s, that his future in the Midwest was limited by a decline in the quality of lumber, mainly pine, and he researched new areas of interest. He decided, in concert with several sons who were in business with him, to relocate to Seattle, then part of Washington Territory, in 1889. They begin at roadside with an enticing white vision, then extend across a redwood bridge toward a bright blue door. The entire Douglas House is a series of cascading experiences designed to delight the senses.

This massive Richardsonian Romanesque house featured a wrap-around front porch and corner turret. Its visual weight provided a stark contrast to the platform-framed wood houses in its vicinity. These natural surroundings were also taken into consideration during the construction of the house where as few trees were removed as possible in order to leave the landscape in its most natural state while forcing the house to integrate with it.

Located on the shore of Lake Michigan, the 1973 Douglas House was one of architect Richard Meier’s first residential commissions. Defined by its verticality, the house features an exterior stepped walkway that extends over the trees, connecting the levels. After purchasing a revered archetypal lake house designed by American architect Richard Meier, a retired couple launches into the home’s second renovation in 35 years.

The Shops at the Showcase offer an array of merchants, from handmade jewelry to artisanal chocolates, and are also home to the Shops’s Wine & Cheese Bar. As the Pasadena Showcase House of Design enters its 59th year, it’s returning to a familiar setting. The Potter Daniels Manor, the English Tudor Revival–style residence that hosted the 1975 and 1996 showcase houses, has been reimagined with 30 new interior and exterior spaces for the 2024 edition, which is now open until May 19. Circulation through the house is primarily horizontal with the open floor plans except for two staircases, one interior and one exterior, on the corners of the house. Their placement was intended in order to not interrupt the horizontal views towards the outdoors. Circulation through the house is primarily horizontal with the open floor plans except for two staircases, one interior and one exterior, on the corners of the house.

Designers Frank Slesinski and Serena Brosio collaborated on the charming living room in the Gatehouse. “One of the main things we did was add a window seat, which looks like it should always have been here,” Slesinski says. “Not only does it provide a lot of additional seating for a very small space, but it has a lot of storage underneath.” The designers wrapped the room in a floral wall covering by Thibaut and installed a grass cloth on the ceiling to make the space feel cozier. “Our whole goal with this space was basically to turn the lights on in the room, bring in the garden that’s outside, and kind of have an experience of a breath of fresh air,” Brosio says. Designer Rachel Scheff used the home’s spectacular ceiling, woodwork, and stained glass as the inspirations for her fanciful, flora- and fauna-filled foyer.